It's been a little over three months since Advait came into our lives and needless to say, life has changed quite a bit. Most of our time these days revolves around feeding him, changing his diapers, putting him to sleep and then doing whatever it takes to ensure that he stays asleep. The last part, I must add, is easier said than done!!! But fatherhood, apart from bringing in its own share of responsibilities, has also given me an opportunity to revisit some of the things I had always wanted to do but couldn't, either because of changing priorities, other interests or simply because I never got around to doing them.
Of course, there isn't a whole lot one can do when a three-month-old is sleeping right next to you. Watching a movie in a pitch-dark room with your headphones on, however, is certainly one of those things.
I have also been doing a fair bit of soul-searching since becoming a father. Perhaps it's this new phase of life or simply an urge to reconnect with things that move me emotionally and intellectually. ChatGPT, my new source of internet searches, recently recommended a bunch of movies based on my interests in politics, history and the events that shaped the world over the last century.
One of them was The Lives of Others, a German film set in East Berlin during the final years of the GDR. I knew I had watched it some 8-10 years back but honestly couldn't remember much of the story, let alone the emotional depth of its characters.
And what an experience it turned out to be!!!
I would probably put it among the most poignant movies I've ever watched, perhaps alongside Schindler's List and The Pianist (definitely need to revisit both too). These are movies I absolutely love but wouldn't watch too frequently. I have this propensity to get completely sucked into good cinema and films like these can leave me rather depressed afterwards. Anyways, my psychological vulnerabilities are a topic for another day.
The movie revolves around Georg Dreyman, a celebrated play-writer, his girlfriend Christa-Maria (CMS), and Gerd Wiesler, a Stasi officer assigned to investigate Dreyman.
What fascinated me was Wiesler's transformation.
Initially, he is a dedicated soldier of the state. Cold, calculated, ruthless and absolutely convinced of the righteousness of his actions. In the opening scene, he psychologically breaks down a suspect during interrogation. Later, while teaching these techniques to Stasi students, he marks the name of a student who questions whether the process is inhuman. Such is his conviction!
But things start changing when he discovers that Minister Hempf's interest in investigating Dreyman has little to do with national security and everything to do with his desire for Christa-Maria. His faith in the institution he serves begins to waver.
Then comes a particularly moving scene. Following the suicide of Dreyman's friend, he plays Sonata for a Good Man (don't go searching - this is a fictional piece) on his piano. Wiesler, listening through his surveillance equipment, is visibly moved. I believe this is where his transformation truly begins. He starts identifying emotionally with the people he is investigating rather than treating them as mere subjects of surveillance.
What follows is a remarkable progression. Wiesler starts protecting Dreyman, concealing his political activities and eventually removing the evidence that could have destroyed him. In doing so, he sacrifices his own career.
But even after all this, there are obviously limits to what he can control. Despite his best efforts to protect Dreyman and Christa-Maria, he is unable to prevent the latter from committing suicide right in front of him. Christa-Maria, threatened by Hempf with the destruction of her acting career, had been coerced into informing the Stasi about Dreyman and the location of the incriminating evidence. Unaware that Wiesler had already removed the evidence, she is overcome with guilt for having betrayed Dreyman and takes her own life. There is something particularly tragic about this. Here is a man who has finally decided to do what he believes is right, yet finds himself helpless in preventing the very tragedy he was trying to avert
Years later, following the collapse of the GDR, we see Wiesler delivering newspapers, leading an apparently isolated and uneventful life. Meanwhile, Hempf, who shamelessly exploited his political position, continues living comfortably. Political systems collapse, ideologies disappear, yet those who know how to wield power often seem to retain their privileges. Always holds true!!!
Dreyman eventually discovers how Wiesler had protected him and dedicates a book to him. Wiesler finds it in a bookstore, and when asked whether he'd like it gift-wrapped, replies, "No. It's for me."
What a beautiful experience this movie was!
But I don't necessarily see Wiesler's journey as one of redemption as is the general consensus. For me, it is more about acceptance.
What exactly is redemption? Does doing the right thing today absolve us of yesterday's actions? Can we undo our past simply because our understanding has changed?
I don't think it's that simple.
Wiesler acted according to his beliefs when he served the Stasi. When his understanding changed, so did his actions. And he accepted the consequences of both.
Maybe I am reading too much into his character. Maybe his apparent acceptance was simply resignation. Whatever be the reasons, I found his journey far more fascinating than a conventional tale of redemption.
And perhaps that's what great cinema does. It leaves you questioning your own understanding of things long after the movie has ended.
As for me, I finished watching it with Advait sleeping peacefully beside me, completely oblivious to the emotional roller coaster his father had just been through.
Perhaps something a little less emotionally exhausting next time. After all, there's another feeding session around the corner!!! :)